The Divine Comedy by Dante Alighieri Essay Prompt Example

Essay Prompt

The Divine Comedy is one of the most well-known and influential works of literature in all of history. In this interpretation, the different levels of heaven and hell represent different states of being, and the characters Dante encounters represent different aspects of his own psyche. As such, the Divine Comedy is not necessarily an accurate portrayal of the afterlife, but rather a symbolic representation of Dante’s own spiritual journey. Therefore, it may be accurate to conclude that Dante’s The Divine Comedy is not a correct representation of heaven and hell.

References

Alighieri, Dante, Laurence Binyon, and Dante Gabriel Rossetti. The divine comedy. Agenda Editions, 1979.

Alighieri, Dante. Dante Alighieri’s Divine Comedy: Inferno. Commentary. Vol. 2. Indiana University Press, 1996.

Bianucci, Raffaella, et al. “Pain and its management: Dante’s Divine Comedy.” Postgraduate Medical Journal (2021).

Cantor, Paul A. “The uncanonical Dante: The divine comedy and Islamic philosophy.” Philosophy and Literature 20.1 (1996): 138-153.

Doré, Gustave. The Doré Illustrations for Dante’s Divine Comedy. Courier Corporation, 2012.

Holmes, Olivia. Dante’s Two Beloveds: Ethics and Erotics in the Divine Comedy. Yale University Press, 2008.

King James Bible

McCall, Andrew. The Medieval Underworld. New York: Barnes & Noble, 1979.

Musa, Mark, Dante Alighieri’s Divine Comedy: Inferno Commentary. Bloomington: Indiana University, 1996

Quran

Ryan, Christopher, “The Theology of Dante”, in The Cambridge Companion to Dante, ed. by Rachel Jacoff (Cambridge: Cambridge University Press, 1993), pp. 136–152

Scott, John A. Understanding Dante. University of Notre Dame Press, 2004.

Scott, John A., “Dante’s Allegory”, Romance Philology, 26.3 (1973), 558–591

Vasoli, Cesare, “Filosofia e teologia in Dante”, in Dante nella critica d’oggi: risultati e prospettive, ed. by Umberto Bosco (Florence: Le Monnier, 1965), pp. 47-71

Williams, A.N., “The Theology of the Comedy”, in The Cambridge Companion to Dante, ed. by Rachel Jacoff, 2nd edn (Cambridge: Cambridge University Press, 2007), pp. 201–217